Over on the main stage, a glowing neon ‘NOVA’ graces centre stage. Witch Fever never shy away from a tricky topic, with their discography riddled with unnerving, disquieting accounts of religious trauma and reflection, and they deliver a captivating service to this excited, transfixed congregation. It’s a welcome dose of shade both literally, musically in their trudging, howling riffs, and verbally as vocalist Amy Walpole calls out people in the scene taking sexual assault allegations lightly. Combined, the movies boast an impressive $2 billion haul at the box office, while their many accolades include four Oscar nominations and a Golden Globe win.īased on Cressida Cowell’s beloved book series, the animated films follow young Viking Hiccup (Jay Baruchel), the injured dragon Toothless, and their friend Astrid (America Ferrera) as they forge an unlikely friendship, overcome stacked odds, and teach the close-minded, fear-governed people of Berk to coexist with dragons.Our first session is with doom-punks Witch Fever over in the Dogtooth Stage. It is expected to hit theaters on March 14, 2025.ĭreamworks Animation’s How to Train Your Dragon trilogy (also helmed by DeBlois) was a bona-fide critical and commercial darling. The remake is reportedly shooting this summer. Thames, meanwhile, made a strong impression in last year's horror movie The Black Phone, with IGN saying in our review that 'a lot of attention - and thus, a lot of the praise - will rightfully be for Thames’ stellar performance.' She previously starred in Tim Burton’s live-action Dumbo remake, as well as Lisa Joy’s sci-fi thriller Reminiscence.

The remake was originally announced in February, with director Dean DeBlois (who helmed the entire animated trilogy) attached but no initial word on casting.Įarlier this year, Parker wowed viewers as Joel’s (Pedro Pascal) daughter Sarah in HBO’s acclaimed adaptation of The Last of Us video game ( read our breakdown on how she helped make the most of Sarah's short-lived time on the series).

Download live a live remake review